Hype Realized

At a time when my instinct reminds me to avoid bands prowling the music landscape shouldered with the heavy baggage of the media 'hype machine,' I am pleased to report on one whose back has survived unscathed.  What began as a solo project for lead singer Zach Rogue, Rogue Wave, now a full four-piece ensemble from San Francisco, has lived up to heavy expectation with their most recent effort 'Descended Like Vultures.'  After signing with Sub Pop for their first full length release, 'Out of the Shadow,' the heap of attention that comes with such a contract seemed to bury the end result.  The album was a solid first effort, strong in melody but lacking the dark moments that give an album depth.  Given the title, perhaps that was the point.

Tuesday's new release is a giant step forward in terms of its complexity and weight.  The base of California pop melodies still serve as the sugary frosting throughout, but the layers beneath make this a wholly satisfying album.  Tracks such as 'Publish My Love' and 'Catform' will remind listeners of stronger tracks from Ambulance Ltd., or, dare I say it, The Shins. A shining moment is the driven single, '10:1,' which is an obvious nod to The Pixies.  The easy listen of this effort is the drifting, somber track 'California,' which blends elements of Nick Drake and Mark Kozelek masterfully.  The fact that the track will no doubt have its day during a tearful parting on The OC doesn't bother me a lick.  Okay it does, but what can I do about it?  (see Daimian's rant below)

Listen. Respond.

ps. Rogue Wave also appears on the 'Stubbs the Zombie' soundtrack with Death Cab, The Walkmen, BK, Cake, The Flaming Lips, Milton Mapes, etc.  They cover Buddy Holly.  This, I recommend with hesitation.